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Nuit Hybride – Saturday 16th March
Le Lieu-Dit / Théâtre

Don't crush the tears
attention, n'écrasez pas les larmes

Swane Vieira
Audio-visual performance

It’s for the pop-star dreams when you were the only one to believe in them, the hairbrush microphones and rodeo loops in the first headphones which were not even bluetooth.
It’s for the hope of hanging our posters in those empty lockers, for the lights that never go out even when it burns your eyes, and for the ones we hope will spotlight us one day.
It’s about us, about me, and the bridge between the intimately personal that stands up to and echoes the collective.
For failed marriages that no longer mean anything.
It’s about constant resilience.
It’s about telling the stories that belong to you, and that are forbidden from being told.
It’s about taking back your body. It’s not about letting it go, but about giving it the right to a new existence.
It’s a multi-speed, comparative performance for monsters, freaks, dogs, and above all
Survivors.
And to all the tears that have been shed and which will make this new world blossom.


TW: This performance may contain, imply, or address references to violence, aggression or rape.

Swane Vieira

From bedroom karaoke
A living-room DIY
Swane Vieira composes, writes, and sings solo, like a band with several voices in one body.
A militant response through “alone on stage”.
Stories of queer deconstructions, anger, love, and resilience, in a hyper-electro-pop-fluid that gets angry in order to reconsider pop as a space of freedom.
“Théorie Marry Me?”, their debut EP, is an ode to theory and pop-culture.
It’s also a story of dogs, guard dogs, and fire, in an unclassifiable world that is never by the book. Hybrid formats, a disruption of norms.
Limbo will be our paradise, and watchdogs our guardians.
Swane Vieira is also a visual artist, creating performances, installations and objects linking the stage, the show, and contemporary art forms, seeking strategies of struggle in different ways.

Let’s be too-much, flamboyant, and obscene.
 

Crédit photo : © Swane Vieira

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